In the heart of Philadelphia, a story unfolds that transcends time, offering a captivating glimpse into the past while resonating deeply with the present. 'The Woman Question,' a theatrical production at People's Light Theatre in Malvern, Pennsylvania, delves into the lives of students at the Woman's Medical College, a pioneering institution that opened its doors in 1850. This play, written by Suli Holum, a Philadelphia theater artist, shines a spotlight on a diverse cast of characters, each with their own unique journey and perspective.
What makes this production particularly fascinating is its ability to weave together historical accuracy with dramatic license. Holum has crafted a narrative that brings to life the experiences of women from various backgrounds, including a formerly enslaved woman from South Carolina, an Indigenous woman from the Omaha Tribe of Nebraska, and students from India, Japan, Russia, and Syria. By placing these women in the same class, Holum creates a dynamic and thought-provoking setting, exploring the intersections of their cultures and the exchange of traditional knowledge.
One of the most intriguing characters is Kei Okami, a Japanese student well-versed in traditional Japanese kampo medical practices. Okami's journey reflects a global shift towards Western medicine, as the late 19th-century Japanese government favored modern practices over traditional ones. Her story highlights the tension between ancient wisdom and modern advancements, a theme that continues to resonate today.
Additionally, the play delves into the curriculum of the Woman's Medical College, which included training women in medical jurisprudence, particularly in the context of abortion. Dr. Anna Elizabeth Broomall, an obstetrics instructor, staged mock trials to prepare students for the legal challenges of pregnancy. This aspect of the play feels especially urgent in today's political climate, where access to miscarriage care and abortion services is a hotly debated topic.
Holum, who plays Broomall, emphasizes the timeliness of the play, stating, "This is vibrating with the current moment in a way that feels really, really urgent to me." Indeed, just weeks before the play's opening, a pro-life organization brought attention to the Comstock Act, a 153-year-old law that prohibited the mailing of 'lewd' and 'obscene' items, including birth control. This law, intended to control women's fertility, is a stark reminder of the ongoing battle for reproductive rights.
However, 'The Woman Question' is not solely focused on the political. Holum describes it as a blend of Louisa May Alcott's 'Little Women' and the medical drama 'The Pitt,' highlighting the relationships and joy that emerge within a high-pressure environment. The play reveals the expressive and resilient nature of these women, showcasing their hijinks, costume parties, charades, and poetry.
In my opinion, 'The Woman Question' is a powerful and timely production that offers a unique perspective on women's history and the ongoing struggle for equality. It is a reminder that the past is not so distant and that the lessons learned from our ancestors are still relevant today. This play is a must-see for anyone interested in exploring the complex intersections of medicine, culture, and women's rights.
